lola (
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vexercises2021-04-11 11:33 am
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Vexercise 3 Drops! Audio Layering &/or Rhythmic Editing
Hi folks! It's time to kick off Vexercise 3! The two versions of the vexercise this time are fairly different, although you certainly could combine the two and do rhythmic editing with audio play. (The Hannibal Glitter & Gold linked below is a great example of that).
Questions? Additional examples & inspiration? Drop a comment below, and of course when you have a vexercise to share, share them here. Happy vidding!
2.0 Vex 3 Option: Rhythmic Editing
Questions? Additional examples & inspiration? Drop a comment below, and of course when you have a vexercise to share, share them here. Happy vidding!
2.0 Vex 3 Option: Rhythmic Editing
Produce a 1 minute video edit where you focus especially on rhythmic editing. Try your hand at time remapping at least once in this video. Choose an audio track that has a clear rhythmic pattern or interesting rhythmic progressions to make your editing experience easier. Reference the wave visualization of your audio track to help guide your editing choices. (If you’re up to it, make 2 versions, 1 that cuts primarily on the beat, another where you try syncopated editing (cutting on the *and*)
Resources:
Example of emphasis on on-the-beat editing
Example of emphasis on syncopated editing (warning for flashing lights)
A short video on syncopated rhythm.
A short video on time remapping in Premiere.
Resources:
Example of emphasis on on-the-beat editing
Example of emphasis on syncopated editing (warning for flashing lights)
A short video on syncopated rhythm.
A short video on time remapping in Premiere.
Lim on time remapping (or velocity vidding) in Premiere.
Short video on time remapping in Davinci Resolve.
More advanced version for greater flexibility in Resolve.
OG Vex 3 Option: Audio layering supercutShort video on time remapping in Davinci Resolve.
More advanced version for greater flexibility in Resolve.
Produce a 1 minute video edit of your selected source, in which you edit together similar visuals (this could be a theme like “hands” or “curtains,” or it could be a type of shot or camera work like “all the close ups”). Your audio for this should be a selection of spoken word from your source, or audio that is not music from your source. You can combine these spoken word or non-music sounds with music if you want! The audio and visuals can line up some of the time or none of the time. If your source doesn’t have audio, you can choose audio from another source.
Inspirations (please feel free to suggest others)
Under Pressure (Good Omens)
Glitter and Gold (Hannibal)
Glitter and Gold (MCU)
The Untamed
Inspirations (please feel free to suggest others)
Under Pressure (Good Omens)
Glitter and Gold (Hannibal)
Glitter and Gold (MCU)
The Untamed
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Rurouni Kenshin live action movies: Unstoppable
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"Gnome Rave" (Gravity Falls), rhythmic editing, with a little bit of on-the-beat and a little bit of syncopated; content has creepy-crawlies, flashes, and fast cuts. On AO3.
"Suspension" (After the Matinee), audio layer supercut, content has a clip of an injured and bloody hand and discussion of suicide. On AO3.
I had so much trouble deciding how I was going to approach this and spent a whole weekend listening to music, editing music, discarding it, starting over, replacing tracks. I was a mess, but I think I pulled it together. Eesh.
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Hello Bitches (Yiling Laozu) - Untamed fandom
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"What We Lost" (Gravity Falls) on AO3. Contains stuttery cuts and flashes.
It's a longer edit than one minute, because I wanted room to play with time remapping and I think my efforts are more obvious this time -- she says, hopefully. This one is more on-the-beat editing.
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The Untamed: Technicolour on AO3
Also I have really broken the rules around source, mostly because once I started I realised this was probably a vid I wanted to make so I pilfered source from earlier and later episodes than the four I originally chose.
And it is also slightly longer than 1 minute so yeah this was a big week for breaking rules!
(Going to have a bash at the audio supercut next).
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Summary: Helen’s long view; or fear, power, and the inevitable conflict.
Monsters Under Your Bed, password: abnormals
(or post with embed)
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Rhythmic editing (syncopated) exercise and maybe a cheat because the source audio was pretty syncopated to start with. My original cut of this was too much. I was cutting too quickly, trying to hit crazy beats and the result was a hot mess. I took a few days off, watched some vids on Russian montage, got my mojo back, and tried again. There are still some remnants of too-busy edits, but there are also a few sequences that really surprised me and made me very happy.
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There's background music on one of the spoken word sections (Jim offering Blair noodles) that clashes with the underlying violin and piano piece, but I don't know how to lower that without losing the spoken word part. Any suggestions would be greatly appreciated! I'm using DaVinci Resolve 17.
Food of Love - The Sentinel
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Oh my god this is such a sloppy last-minute phone-in that I'm actually a little bit embarrassed, but I didn't get inspired until right before the due date and I decided done was better than good.
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I ended up going for the rhythmic editing challenge, since I had sort of done the audio editing for some random reason in my vexercise 2
Kick Back (Word of Honor/WayV...visuals through ep 34 but not really spoilery)
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