Thank you! I'm happy to hear you got enough of the story to get the idea. I think with fast cuts vs slow cuts my philosophy ended up being that clips that have a change of state (a hologram turning on/off, people entering/exiting the scene, etc) could go on for longer than ones where the action was "static" (people walking, zoom in on a face, etc) because those were, like, clips that had two things vs just one? I'm also glad to hear that the tension-building section worked, since that was one of the last ones I laid down - I knew what I had to do for the refrains, but that was mostly open space.