Honestly I half-assed this, doing the effects with the DVR presets rather than even going into Fusion, and it was still world-changing in terms of how I see my vidding practice. Here's my thirty second vidlet with and without the overlaid effects and it's amazing how different they are and how narrative and emotional things that don't work at all in the original suddenly come to life with the change in coloring. I need to do more of this!
A surprising hard part for me was the straight three second clips. It almost felt like it fell in a no-man's land between pechakuchas where you know you're going to be working with the internal cuts of the source and you know you're going to be a little limited in the expressive range and that's just baked into the kind of results you'll get, vs. normal vidding where you have total control over the pacing of the clips. It was hard to do as much with internal cuts in only 3 seconds, but it felt too long to just use single shots in some places. If we keep up the same rules going forward, I expect to bend slightly rather than sticking to rigidly cutting every three seconds.
no subject
A surprising hard part for me was the straight three second clips. It almost felt like it fell in a no-man's land between pechakuchas where you know you're going to be working with the internal cuts of the source and you know you're going to be a little limited in the expressive range and that's just baked into the kind of results you'll get, vs. normal vidding where you have total control over the pacing of the clips. It was hard to do as much with internal cuts in only 3 seconds, but it felt too long to just use single shots in some places. If we keep up the same rules going forward, I expect to bend slightly rather than sticking to rigidly cutting every three seconds.
FX version: https://youtu.be/KFjUwBN5iM8
No FX version: https://youtu.be/Mp4TLw4OC1M